![]() ![]() ![]() The end of the gangster movie as we know it?Įxcept, of course, it isn’t the future, not any more. A booming voice cheerfully tells the unseen but presumably multitudinous denizens of this strange future world that a new life awaits them in the off-world colonies. We cut to another flying car, negotiating the narrow avenues of the city, framed against a digital hoarding, storeys-tall, featuring an Asian woman advertising snack foods. A vehicle flies into the scene, then out again, heading towards two monstrous pyramids.Īn increasingly anxious man undergoes a verbal test conducted by his supervisor at the Tyrell Corporation, housed in the vast ziggurats. Flames belch from gigantic industrial towers. They had great stories, most of which I had never heard before."īlade Runner 2049: Interlinked - The Art is available now and can be purchased here.Īnd for more from the world of Blade Runner, catch up on how Denis Villeneuve wants to make another movie in the series, come to terms with the fact that Blade Runner is no longer set in the future, or watch Villeneuve answer nine WTF Blade Runner questions.The city stretches as far as the eye can see the lights in the packed-together buildings shine – unlike the stars which are invisible in the smog-filled night sky. How much inspiration was drawn from the original movie? How far were the boundaries pushed into new creative territories? And, how were the visual cues created to illustrate the thirty-year lapse between the two movies? To answer these questions, I interviewed production designer Dennis Gassner and tracked down a dozen artists who worked on the film. ![]() "My editor Jo Boylett and I agreed that, as the title suggests, Interlinked would explore the visual interconnectedness between Ridley Scott’s 1982 Blade Runner, and Denis Villeneuve’s 2017 Blade Runner 2049. Lapointe said the following about the book: Check out the gallery of images below, including seven pieces of art that are exclusive to IGN: ![]()
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